'Only a few film directors possess a conceptual
talent - that is, a talent to crystallise every film they make into a cinematic concept. It transcends the need to find a
good subject, an absorbing story, or an extraordinary premise to build on. Essentially, it is the talent to construct a form
that will exhibit the maker's vision in an unexpected way. It is this conceptual talent that distinguishes Stanley Kubrick.'
- Alexander Walker
STORYBOARDS AND CONCEPT ART
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| EYES WIDE SHUT- Bill's dream sequence |
The following storyboards were commissioned in 1995, when Kubrick envisioned Eyes Wide Shut as a
period piece.
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| EYES WIDE SHUT- Bill's dream sequence |
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| EYES WIDE SHUT- Bill's dream sequence |
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| EYES WIDE SHUT- Alice and naval officer |
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| EYES WIDE SHUT- Masked Ball |
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| EYES WIDE SHUT- Costume Store |
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| EYES WIDE SHUT- Costume Store |
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| EYES WIDE SHUT- Masked Ball |
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| EYES WIDE SHUT- Masked Ball |
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| EYES WIDE SHUT- Masked Ball |
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| EYES WIDE SHUT- Costume store |
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| EYES WIDE SHUT- Masked ball |
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| EYES WIDE SHUT- Costume store |
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| EYES WIDE SHUT- Masked Ball |
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| EYES WIDE SHUT- Masked Ball |
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| EYES WIDE SHUT- Costume store |
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| EYES WIDE SHUT- Costume store |
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| EYES WIDE SHUT- Costume store |
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| EYES WIDE SHUT- Somerton Mansion |
CONCEPT ART FOR A.I. ARTIFICIAL INTELLIGENCE
The following artwork was done by Chris Barker, during his 2 and a half year employment by Kubrick
during the mid 90s.
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| A.I. - New York under water |
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| A.I. - Bridge entrace to Rogue City |
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| 3D ARCHITECTURAL CONCEPT ART BY CHRIS BAKER |
THE SHINING
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| The Shining- Road to Overlook Hotel |
2001: A SPACE ODYSSEY
29 year old British illustrator, Brian Sanders, was one
of two artists hired in 1966 to cover the shooting of 2001. The work that he produced remained unpublished until these few
pieces were printed alongside an article in THE INDEPENDENT MAGAZINE on 20th January 2001.
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| The final details being put on the Discovery |
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| Space Station rotting in a field. |
FULL METAL JACKET
Kubrick commissioned very little art work for Full Metal Jacket. He prefered to improvise,
rather than tie himself down to storyboards. He did hire Philip Castle, however, to work on the film's poster art. Kubrick
told Castle that he wanted a simple image that would be recognisable in black and white, even when reduced to the size of
a single column in a newspaper. The first sketch shown here was done by Kubrick himself.
The second picture is a reference photograph that Castle worked with. Originally he
drew the helmet as if it were sitting flat on a surface. It was Kubrick who suggested that pitching the helmet at an angle,
as if being worn by a marine, would be more dynamic and striking.
| This "headshot" mirrors Pyle's "headshot". |
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| The Sniper was originally intended to be shown decapitated or shot in the face. |
BARRY LYNDON
A CLOCKWORK ORANGE
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| Costume check in Kubricks garden. |
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| Kubrick created a highly stylised ad campaign |
Dutch actress
Joanna Ter Steege fitting on dresses for “Aryan Papers”, a film abandoned by Kubrick.
THE SIMPSONS HOMAGES
Due to popular demand, behold the weirdest thing on Kubrick Corner. Thanks to Mattew Hamilton
for lowering the intergrity of this website...
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